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World history. --- Universal history --- History
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Natural history --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science
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Biology --- History --- Life sciences --- Biomass --- Life (Biology) --- Natural history --- Biology.
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After the 'March 15 incident' on Japanese Communist Party members in 1928, many activists converted in prison, and "conversion period" (tenkō jidai) appeared. The converted people (tenkōsha) then wrote notes in which they described the ideological and spiritual changes that occurred during their imprisonment. The change was prompted by the teachings of Buddhism, mainly Jōdo Shinshū, and the presence of chaplains (kyōkaishi) who mediated the teachings. The tenkōsha abandoned their faith in Marxism, returned to Japanese traditional familism, became devoted to the Emperor of Japan, and some started to practice agricultural fundamentalism. In this article, I will focus on a person named Kobayashi Morito (1902 -1984), who wrote about his own experience of conversion in Until He Left the Communist Party (1932) and also edited the notes of other conversion people and published them as Notes of a Converter (1933) and Thought and Life of the Converted(1935), and will analyze the stories of conversion experiences of various tenkōsha, reexamining how they accepted conversion, and at the same time focus on the contradictions and conflicts that occurred there.
Communism --- Socialism --- History --- y20th century. --- History --- y20th century.
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Amagasaki-shi (Japan) --- Japan --- History
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Natural history --- Natural history. --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science
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Japanese literature --- Japanese literature. --- History and criticism
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Arts, Japanese --- Archaeology --- Natural history --- History, Natural --- Natural science --- Physiophilosophy --- Archeology --- Japanese arts --- Biology --- Science --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities
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Europe, Eastern --- Eastern Europe. --- East Europe --- History.
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The turtle (kame) is of great importance in East Asian culture and it is seen as a supernatural creature. In Japanese literature, we can find examples of the turtle in works dating back to the Nara period, such as Tangokuni fudoki and Nihonshoki. Just like the crane, the turtle is a symbol of longevity. However, from the Kamakura period a new and unique interpretation of the turtle as the "singing/crying turtle" makes its appearance. Of this topos, known as kame naku, we can find only very few examples in literature until the Meiji era and the most known are the waka anthologies Shinsen waka rokujō and Fuboku wakashō, and Kyokutei Bakin's kigo collection Haikai saijiki shiorigusa. However, from the beginning of the modern age, kame naku has been used by many poets as a kigo connected to spring and its frequency has hugely increased. After the war, it began to appear not only in poetry but also in novels and essays. The best known examples of this being Mishima Yukio's short novel Chūsei, Uchida Hyakken's essay Kame naku ya, Kawakami Hiromi's work Oboreru. Using kame naku as a keyword, in this paper we will analyze the attitudes and approaches of modern and contemporary poets and novelists toward the topos.
Japanese literature --- Japanese literature --- History and criticism.
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